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I think novels, as technological innovations (printing press, cheaper bookbinding, maybe) were viewed much the same way some Christians later reated to television.
There was also the moral concern, as Dabney argues (like here; thanks for suggesting I search for that, it's interesting! And sort of funny, though he obviously didn't think it was...), which I guess stemmed, again, from the Romantic influence which tended toward horrific and titillating narratives and sentimentality rather than edifying morality. The morality issue is important to neoclassicists like Voltaire really only from a position of manners and social acceptability. Voltaire, after all, epitome of the athiest. (Reading further in the Dabney piece, he sounds like a consummate neoclassicist, just with a more religious bent than usual.)
Your comparison to television is a really good one, though I suspect it's a high art/low art distinction more than a technological one (except insofar as technological advances helped make low art easier to produce, just at it did high art). I guess I just see technology as a means rather than a cause.